It is interesting to compare Caravagio’s work with a later work by Gentileschi. Gentileschi’s version is a lot more visceral, with more blood, greater detail, and a more determined expression on Judith’s face. In Caravaggio’s depiction, Judith is of slight figure and bears an almost reluctant expression; despite the setting, there is little physical violence. By contrast, in the Gentileschi version, Holofernes holds the collar of Judith’s aide, holding her at bay.

The Feast of Bacchus, Museo del Prado, Madrid.