Published on Jaani.net (http://www.jaani.net)
Quae Vide: iNews
Created 01.12.2003 - 16:23

There is an interesting Xbox plexiglass modification , which turns an unassuming black plastic cuboid into a horrid of light and sound.

In a move sure to bedazzle the American public and reinforce the image of political , President Bush - being the good-willed citizen that he is - Baghdad (yes, Baghdad) for thanksgiving.

Mr. Bush sneaked out of Crawford on Wednesday in an unmarked car, then flew to Andrews Air Force Base outside Washington, where a few advisers and a small number of reporters sworn to secrecy joined him. They then flew on to Baghdad International Airport, arriving around dusk.

It has all the elements of a - except the part where an unidentified group of masked gunmen hijack Air Force One and Jack Ryan sneaks aboard to save the... Oh, wait. Nevermind.

Back to the digital domain, Taiwanese manufacturer of optical drives, Lite-On, is estimated to ship next quarter. Given that their technology ranks among the cheapest, quietest, and most reliable equipment I've come across, I can't say I'm surprised. My $60 Lite-On 40/12/48 CD-R/-RW is serving me rather well, actually. Now, where did I put that 'backup' copy of ...

Finally, Umberto Eco has a long and about the evolving modes of information storage. He contrasts paper, electronic, and vegetal (organic) -based technologies and examines the way in which authors are influenced by the semiotic system in which they write (and the structure of constraints imposed by the medium of writing). The article makes a few interesting points, such as the idea that digital and print mediums aren't so different as they initially seem:

Certainly, a computer is an instrument by means of which one can produce and edit images, certainly [scil] instructions are provided by means of icons; but it is equally certainly [sic] that the computer has become first of all an alphabetic instrument. On its screen there run words and lines, and in order to use a computer you must be able to write and to read.

His structuralist analysis of hypertext systems is also very interesting, if you have the time to absorb it in full, though a little laboured in parts. Note especially his rejection of radical deconstructionist interpretative theories, and adoption of a pseudo- 'three-dimensional' interpretative framework. In the context of the internet (a collaborative 'work' shaped by a large interpretive community) such a model seems very accurate.

Eco's argument that the electronic medium will (owing to its non-linear mode of information retrieval), replace traditional vegetal reference materials is rather ironic, as his example to contrast the two mediums demonstrates:

For instance, if I want to know whether it was possible or not that Napoleon met Kant, I have to pick up the volume K and the volume N of my encyclopaedia: I discover that Napoleon was born in 1769 and died in 1821, Kant was born in 1724 and died in 1804, when Napoleon was already emperor. It is therefore not impossible that the two met... All this will cost me painful physical labour.

[...] Yet, with hypertext instead I can ... do my job in a few seconds or a few minutes.

While true (after all, I can't remember the last time I've in a paper dictionary), these same properties of electronic information access may be used to highlight Eco's own unoriginality (note that this was first discovered by an observant ).

Namely, a quick Google reveals that Eco's aforementioned article is little more than a repeat of a lecture given by him in , and again in , , and , at various academic conferences. He must be getting rather good at delivering it by now!

Going back a little further (and already onto the of search results), we find that the Napolean example itself was by Bertrand Russell in 1935. Of course, the ease with which this information was all accessed just goes to show how correct Eco actually is!

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Cite as: Jaani Riordan, ‘Quae Vide: iNews’ (2003) Jaani.net Internet Law and Technology <http://www.jaani.net/view/2003/12/01/quae-vide-inews>.
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